May 2008, Volume 1, No. 1
First issue of Wisp (published on May, 7th 2008)
- First issue of Wisp released:Wisp#1 – Release note
- – Wisp#1 – Cover:Wisp#1 – p.1 – Cover: Wisps, photography by Tracy Marshall
- Editorial:Wisp#1 – p.3 – Editorial, by Éric Lemoine
- I’ve Been Chosen for a Billy Johnson Head:Wisp#1 – p.5 – I’ve Been Chosen for a Billy Johnson Head, a riveting on-going story of serendipitous coincidences, by Tracy Marshall
- Atlantis has Risen:Wisp#1 – p.8 – Atlantis has Risen, a meditation by Melissa K. Lane
- Cave meditation:Wisp#1 – p.8 – Cave Meditation, by Jim Cox
- Ganesha:Wisp#1 – p.9 – Ganesha, photography by Brigitte Geisler
- Dipping into the rich palette of the personality structure:Wisp#1 – p.10-11 – Dipping into the rich palette of the personality structure, by Emmy van Swaaij
- Whisper Zone:Wisp#1 – p.11 – Whisper Zone
- A Personal Story I Wanted to Share… About Love:Wisp#1 – p.12 – A Personal Story I Wanted to Share… About Love, by Melissa K. Lane
- Peanut Butter Odyssey:Wisp#1 – p.13 – Peanut Butter Odyssey, by James (Rob) Arteman
- The Short Bus:Wisp#1 – p.13 – The Short Bus, poem by Judyette Clarke
- Objects In The Future Are Closer Than They Appear:Wisp#1 – p.24-25 – Objects In The Future Are Closer Than They Appear, art by Kenneth (Oba) MacSween
- The Eggleton Saga Begins:Wisp#1 – p.15,19 – The Eggleton Saga Begins, pictures and scenario by Tracy Marshall and Francie Moss
- Introduction to Glass Hours and the Logic of Time:Wisp#1 – p.14-15 – Introduction to Glass Hours and the Logic of Time, by Captain Bridger
- A Shamanic Experience:Wisp#1 – p.16-18 – A Shamanic Experience, personal story by James Hallock
- Playing with Lenses… Observation as an Act of Creation:Wisp#1 – p.20-21 – Playing with Lenses… Observation as an Act of Creation, an essay by Jean-Baptiste Duret
- Essenscope:Wisp#1 – p.21 – Essenscope, by Luce Mong
- Wild Stone Heart, book review:Wisp#1 – p.22-23 – Wild Stone Heart (Sharon Butala), a book review by Tracy Marshall
- Paprika, movie review:Wisp#1 – p.23 – Paprika, by Satoshi Kon (2006), movie review by Éric Lemoine